A
child's version
 While
the story of Father Christmas is interesting to grown-ups, the tales
about him don't have to get bogged down in the details. If you like
getting bogged down, read on, but if you want a simpler version, read
our child's version of his origins.
The
full story Leaving
aside for the moment the question of whether it's OK to believe in
Father Christmas, just
who is he? The short answer to this question is that Father Christmas
is St Nicholas, one of the great medieval saints throughout Europe and
the Middle East and he was a bishop in Lycia in modern-day Turkey. The
longer answer has a touch more mystery to it and is a wonderfully
cosmopolitan story which is well worth re-discovering.
The
most famous image of Father Christmas, or Santa Claus, is the one
that is still dominant today: the jolly fellow to the left with his
sackful of toys and his magic sleigh and reindeer. This image is a
fairly recent development, defined during the nineteenth and twentieth
centuries in the United States and reinforced through the growth of
global media in the twentieth century. The famous Coca Cola advertising
campaign of the 1930s was at least partly responsible for Father
Christmas' now traditional colours of red and white.
But
these
transformations didn't just begin in the nineteenth century
and
Father Christmas was also transformed and re-imagined in the European
world from which so many settlers came, bringing their traditions with
them to the
United States.
Medieval
Origins - St. Nicholas The
Dutch and the
Germans are
responsible for
much of the story of Father Christmas. In both countries, the 6th of
December has been celebrated enthusiastically for many years as the
Feast of Saint Nicholas. Nicholas is one of the great saints
of
the Middle Ages, much loved for the stories in which he helps the poor,
prevents injustices and looks after sailors at sea. He was and is to
this day as popular in the East (see the Russian icon to the right) as
he was in the medieval West.
The Dutch in particular
to this day have
various traditions surrounding Sinterklaasdag,
including special food
and songs and other jolly customs. The saint sets sail on his ship from
Spain with his Turkish or Moorish assistant Zwarte Piet (Black Pete) to
find shoes left out filled with vegetables for his horse to eat. In
return Sinterklaas will dole out sweets. That's if you've been good. If
you're
not so lucky, Zwarte Piet will whack you with his stick. This
is
all fairly harmless. But Zwarte Piet has less salubrious antecedents.
In Germany since the middle ages, the saint's travelling companion was
a damned soul or demon in chains often known as Knecht
Ruprecht (with many regional variations, see left). On the one
hand this symbolised the happy story of the power of Christ and the
Church over unpleasant demons. On the other hand - and rather more
alarmingly - Ruprecht might end up sticking children in his sack or
even eating those who hadn't
behaved during the year. Similar customs were particularly popular in
Southern Germany and Austria, where until fairly recently children were
terrified in this way. These mini allegories of the
Christian
Last
Judgement are the source of 'you'd better be good for goodness'
sake' (Santa Claus is Coming to Town)
and represent the
darker side of Father Christmas. This darker side is expressed in the
nineteenth-century Struwwelpeter,
serving up rather brutal justice,
as well as in the more recent Hogfather novel
by Terry Pratchett. We can't say for certain, but the
relatively gentle Zwarte Piet and Santa Claus' elves may be more
good-natured
developments of the older folklore about St Nicholas' damned and
ferocious companion. The modern conception of the elves is almost a
management handbook version of Father Christmas, in which the old
fellow
delegates some of the work. One of the most memorable depictions of all
Santa's elves is in the classic children's book The Polar Express.
The
'Modern' or 'Secular' Santa Claus - Origins There
are two more important stories for the origins of our Father Christmas
in the nineteenth century, one in Germany and another in England.
In
Germany, an atmosphere of nationalism and a growing reaction against
Christianity led to a great interest in -
and to some degree an invention of - a more 'genuine' pagan past.
This cultural climate saw the development of the 'Weihnachtsmann'
(Christmas Man) as a replacement for St Nicholas. Gone were the
bishop's paraphernalia in favour of long robes and a crown of holly, or
a floppy hat, which might be a nod to the saintly bishop's mitre. Into
this largely synthetic process
was woven previously ignored traditions gleaned from pagan sources, not
least of which was the identifying of the Weihnachtsmann with
the
gift-giving Norse
god Woden. At
the same time as the German Weihnachtsmann
was gaining some popularity,
similar but older traditions were being revived in England as the
Victorians rediscovered Father Christmas. There is sparse but
compelling evidence from the mid fifteenth century of a personification
of 'Christmas'. The earliest reference is in a Devon carol describing
how 'Sir Christemas'
brings news of Jesus' birth (see the Nativity scene to the left) and
bids his hosts to
drink and be merry. A similar character, also called 'Old Christmas',
'Captain Christmas' or 'Gregory Christmas', as well as 'Father
Christmas' appears in seventeenth century dramas, in part as a response
to the infamous banning of Christmas carried out by the Puritans. In
Ben Jonson's Christmas
masque (1616), Old Christmas is connected to
Roman Catholicism and recalls pre-Reformation traditions, true English
customs, which have now become 'good Protestants' like Old Christmas
himself.
The
waters were muddied in the nineteenth
century, as in Germany, by the antiquarian and nationalistic
interest in
pre-Christian customs, folklore and history. The muddying of the
waters has led some to claim ancient roots of the meaning of a
personified Christmas due to parallels, some more convincing than
others, between anthropomorphic Saxon Winter characters and Father
Christmas in his fur-trimmed robes. This is stretching the available
evidence to breaking point, not least in assuming continuity of meaning
over a thousand years. As in many of our Christmas traditions, it might
make more sense to call the English Father Christmas 'secular' (despite
his association with Catholic Christianity) rather than pagan. If we
make him secular then maybe Christians and Pagans can share him more
comfortably rather than competing
over the meaning of this Christmas custom.
Defining The Modern Santa Claus
If
Germany and, to a lesser extent England, came up with some of
the raw ingredients in efforts to secularise St Nicholas, it was in
America that the definitive recasting of both imagery of myth was
realised. The two men responsible for the Father Christmas or Santa
Claus we bring into our Christmases today were Clement Clark Moore
who wrote
'Twas the Night Before Christmas
(1823) and the German-American illustrator
Thomas Nast.
Moore provided the version of the story we all know, down
to the sleigh and the names of the reindeer, while Nast provided a
definitive image of Santa Claus in 1863 for Harper's Weekly (see
right).
L Frank Baum, of Wizard
of Oz fame put his own stamp on it in 1902
and nothing could stop Santa Claus in the twentieth century.
In
the twenty-first century there seems to be some unease over Santa, just
like with so many other aspects of Christmas. We look back to the
crucial time in which the character was defined and grumble about
'Victorians' inventing traditions. Or we hear about the decisive impact
of the 1930s Coca Cola campaign and worry about commercialism ruining
Christmas. We might even be concerned about the ethical dilemma posed
by telling stories to our children about Father Christmas without all
kinds of provisos that spoil the fun. Occasionally it seems as though
we've thrown out the baby with the bathwater, not wanting to be
associated with a character with such a complex history, leaving a
vacuum which is then filled with the kitschy, tasteless knick knacks
featuring Santa on the toilet, dropping his trousers or doing all kinds
of unsavoury things. But Father Christmas, as one of
the key
symbols of the season, offers a place where all kinds of views of
Christmas can come together. Whether he is a Christian saint, a
generous secular figure or a representative of nature and the season of
Yule, there are so many rich stories around him it seems a shame if his
eventual fate is a tacky, kitsch one.
To
finish this
section, it seems appropriate to choose some depictions of Father
Christmas or Santa Claus from stories, all of which offer more ways of
looking at this icon of Christmas - whether that's Raymond Briggs'
grumpy old man, JRR Tolkien's overworked, magical figure or Enid
Blyton's
kindly gentleman. All of the books are described in our section on kids'
Christmas fiction. clicking on each image will open
a short description in a new window.

Enid Blyton's
Father Christmas (from
The Christmas Book)

JRR Tolkien's
Father Christmas (from Letters from Father Christmas)

Raymond Briggs'
Father Christmas (from Father Christmas)
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